Bruce Springsteen - Born to Run
In the day we sweat it out on the streets of a runaway American Dream
At night we ride through mansions of glory in suicide machines
Sprung from cages on Highway Nine
Chrome wheeled, fuel injected and steppin’ out over the line
Oh, baby, this town rips the bones from your back
It’s a death trap, it's a suicide rap
We gotta get out while we’re young
Cause tramps like us, baby, we were born to run
Yes, girl, we are
Wendy, let me in I wanna be your friend
I wanna guard your dreams and visions
Just wrap your legs ‘round these velvet rims
And strap your hands ‘cross my engines
Together we could break this trap
We’ll run till we drop, baby we’ll never go back
Oh, will you walk with me out on the wire?
Cause baby I'm just a scared and lonely rider
But I gotta know how it feels
I wanna know if love is wild, babe, I wanna know if love is real
Oh, can ya show me
Huh, sax
(Sax Solo)
Beyond the palace, hemi-powered drones scream down the boulevard
Girls comb their hair in rearview mirrors
And the boys try to look so hard
The amusement park rises bold and stark
Kids are huddled on the beach in the mist
I wanna die with ya, Wendy, on the street tonight
In an everlastin’ kiss, ha
(Guitar Solo)
One, two, three, four
The highway’s jammed with broken heroes on a last chance power drive
Well, everybody’s out on the run tonight, but there's no place left to hide
Together Wendy we can live with the sadness
I’ll love you with all the madness in my soul
Oh, someday girl, I don't know when we’re gonna get to that place
Where we really wanna go and we’ll walk in the sun
But till then, tramps like us, baby, we were born to run
Come on, Honey, tramps like us
Baby, we were born to run
Come on Wendy, tramps like us
Baby, we were born to run
Whoa, a-whoa, mmm, mmm, ahh, ahh, aah
Whoa, oh, whoa, oh, oh, oh, oh, oo, ooo
Mmm, mmm, whoa, ooo, ooo, whoa, oh, oh, oh, ooo, ooo
Born to Run is the signature song of the American singer songwriter Bruce Springsteen, and the title song of his album Born to Run. Written in a small house in Long Branch, New Jersey in early 1974, the song was Bruce Springsteen's last-ditch effort to make it big. The prior year, Springsteen had released two albums to critical acclaim but with little commercial success. The lyrics to the song are appropriately epic for his last-ditch, all-or-nothing shot at the stars, yet they remain rooted in the universal desperation of adolescence: We gotta get out while we're young, 'cause tramps like us, baby we were born to run. Written in the first person, the song is a love letter to a girl named Wendy (Wendy let me in I wanna be your friend I wanna guard your dreams and visions...; I wanna die with you Wendy on the streets tonight/in an everlasting kiss!), for whom the motorcycle-riding protagonist certainly has enough passion to love, but perhaps not the patience. However, Springsteen has noted that it has a much simpler core: getting out of Asbury Park. In recording the song, Springsteen first earned his noted reputation for perfectionism, laying down as many as eleven guitar tracks to get the sound just right. The recording process and alternate ideas for the song's arrangement are described in the Wings For Wheels documentary DVD included in the 2005 reissue Born to Run 30th Anniversary Edition package. The track was recorded at 914 Sound Studios in Blauvelt, New York amidst touring breaks during 1974, with final recording done on August 6, well in advance of the rest of the album, and featured Ernest "Boom" Carter on the drums and David Sancious on keyboards; they would be replaced by Max Weinberg and Roy Bittan for the rest of the album and in the ongoing E Street Band (which was still uncredited on Springsteen's records at the time). The song was also recorded with only Springsteen and Mike Appel as producers; it would be later in the following year, when work on the album bogged down, that Jon Landau was brought in as an additional producer. In his 1996 book Songs, Springsteen relates that while the beginning of the song was written on guitar around the opening riff, the song's writing was finished on piano, the instrument that most of the Born to Run album was composed on. In the period prior to the release of Born to Run Springsteen was becoming well-known (especially in his native northeast) for his epic live shows. "Born to Run" joined his concert repertoire well before the release of the album, being performed in concert by May 1974 if not earlier. The first recording of the song was made by Allan Clarke of the British group The Hollies, although its release was delayed, only appearing after Springsteen's own now-famous version.