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Jethro Tull - Locomotive Breath
In the shuffling madness
Of the locomotive breath,
Runs the all-time loser,
Headlong to his death.
He feels the piston scraping --
Steam breaking on his brow --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He sees his children jumping off
At the stations -- one by one.
His woman and his best friend --
In bed and having fun.
He's crawling down the corridor
On his hands and knees --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He hears the silence howling --
Catches angels as they fall.
And the all-time winner
Has got him by the balls.
He picks up Gideon's Bible --
Open at page one --
God stole the handle and
The train won't stop going --
No way to slow down.
"Locomotive Breath" is a song by the British progressive rock band Jethro Tull from their 1971 album, Aqualung. It is notable for a long bluesy piano introduction (particularly during live performances) and its flute solo by flautist Ian Anderson. The song's lyrics use the imagery of an impending and unavoidable train wreck as an allegorical portrayal of a man's life falling apart. The song receives frequent airplay on classic rock radio stations. It was covered by Rabbitt on their 1975 album Boys Will Be Boys, by Italo-disco outfit Cat Gang in 1983, by W.A.S.P. on the reissue of their 1989 album The Headless Children (as a bonus track), Styx on their 2005 album Big Bang Theory, and Helloween on their 1999 album Metal Jukebox. A Swedish rock band, formed in 1995 by Janne Stark, takes its name from the song. The term "locomotive breath" refers to the steam exhaust from a steam locomotive. "Locomotive Breath" was recorded in a rather unusual manner for the time: the entire track was pieced together from overdubs; most of the parts of the song were recorded separately. Ian Anderson did his normal flute and vocal parts in addition to bass drum, hi-hat, acoustic guitar and some electric guitar parts. John Evan's piano parts were then recorded; Clive Bunker added the rest of the drums and Martin Barre finished the electric guitar parts. All of these recordings were then overdubbed onto each other because Anderson was finding it difficult to communicate his musical ideas about the song to the other band members. The composition is designed to resemble a train chugging. Anderson occasionally says a word like "Oh-OH!" in the style of "All aboard?!", as shouted by train conductors.
