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Queen & David Bowie - Under Pressure

[Intro: Freddie Mercury]
Mmm num ba de
Dum bum ba be
Doo buh dum ba beh beh

[Verse 1: David Bowie & Freddie Mercury]
Pressure pushing down on me
Pressing down on you, no man ask for
Under pressure that burns a building down
Splits a family in two
Puts people on streets

[Bridge: Freddie Mercury]
Um ba ba be
Um ba ba be
De day da
Ee day da- that's okay

[Chorus: David Bowie & Freddie Mercury]
It's the terror of knowing what this world is about
Watching some good friends screaming, "Let me out!"
Pray tomorrow gets me higher
Pressure on people, people on streets

[Verse 2: David Bowie & Freddie Mercury]
Day day de mm hm
Da da da ba ba
Okay
Chipping around, kick my brains around the floor
These are the days it never rains but it pours
Ee do ba be
Ee da ba ba ba
Um bo bo
Be lap
People on streets
Ee da de da de
People on streets
Ee da de da de da de da

"Under Pressure" is a 1981 song recorded by Queen and David Bowie. It marked Bowie's first released collaboration with another recording artist as a performer, and is featured on Queen's 1982 album Hot Space. The song reached #1 on the UK Singles Chart. It was also number 31 on VH1's 100 Greatest Songs of the '80s. Bowie had originally come to the studios in order to sing backing vocals on another Queen song, "Cool Cat". For whatever reason, Bowie was not satisfied with his contribution, and his vocals were removed from the track. Queen had been working on an earlier version of the song under the title "Feel Like" but were not yet satisfied with the result. The final version that became "Under Pressure" evolved from a jam session the band had with Bowie at his studio in Montreux, Switzerland, therefore it was credited as co-written by the five musicians. According to Queen bassist John Deacon (as quoted in a French magazine in 1984), however, the song's primary musical songwriter was Freddie Mercury — though all contributed to the arrangement. The earlier, embryonic version of the song without Bowie , "Feel Like" , is widely available in bootleg form. There has been some confusion about who created the song's famous bass line. John Deacon said (in Japanese magazine Musiclife in 1982, and in the previously mentioned French magazine) that David Bowie had created it. In more recent interviews, Queen guitarist Brian May and drummer Roger Taylor have credited the bass riff to Deacon; Bowie also said on his website that the bass line was already written before he became involved. The September 2005 edition of online music magazine Stylus singled out the bass line as the best in popular music history. Roger Taylor was frequently rumored to be the song's chief writer. However, it appears that he served more as an intermediary for Mercury and Bowie (two of rock music's biggest stars at the time), being friends with both men. Taylor was involved in the production of the track and did some preliminary mixes with Bowie in New York, but Bowie was dissatisfied with these results and wanted to re-record everything (as claimed by May on a November 1982 interview for IM&RW magazine). In the end, the final mix was done with the involvement of Mercury and recording engineer Mack, "under pressure" from Bowie and Taylor (according to Brian May in the same 1982 interview). Although very much a joint project, only Queen incorporated the song into their live shows at the time. Bowie chose not to perform the song before an audience until the 1992 Freddie Mercury Tribute Concert, when he and Annie Lennox sang it as a duet (backed by the surviving Queen members). However, since Mercury's death and the Outside tour in 1995, Bowie has performed the song at virtually every one of his live shows, with bassist Gail Ann Dorsey taking Mercury's vocal part. The song also appeared in setlists from A Reality Tour mounted by Bowie in 2004, when he frequently would dedicate it to Freddie Mercury. Queen + Paul Rodgers have recently performed the song as well. While Bowie was never present for a live performance of the song with Mercury, Roger Taylor instead filled for back-up vocals usually in unison with Mercury as Mercury would take over most of Bowie's parts.

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